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2. The Legend of St. Elisabeth. Oratorio on words of Otto Roquette. 1857-62.
3. Christus.Oratorio on texts from the Holy Scripture and the Catholic Liturgy. 1855-67. (1) Christmas Oratorio 1. Introduction 2. Patorale and Annunciation 3. Stabat mater speciosa 4. Shepherds' song at the manger 5. The Three Holy Kings (March) (2) After Epiphany 6. The Beatitudes 7. Pater noster 8. The Foundation of the Church 9. The Miracle 10. The Entry into Jerusalem (3) Passion and Resurrection 11. Tristis est anima mea 12. Stabat mater dolorosa 13. O filii et filiae 14. Resurrexit
4. Cantico del sol di Francesco d'Assisi. Bar. solo, male chorus, orch. and organ. 1862; rev. 1880-1.
5. Die helige Cacilia. Legende. M-S solo, chorus and orch. 1874.
6. Die Glocken des Strassburger Munsters (Longfellow). M-S, Bar. soli, chorus and orch. 1874. I. Vorspiel; Excelsior II. Die Glocken
7. Cantantibus organis. Antifonia per la festa di Sta. Cecilia. solo, chorus and orch. 1879.
8. Missa quattuor vocum ad aequales concinente organo. Male chorus and organ. 1st version 1848; 2nd version 1869.
9. Missa solennis zur Einweihung der Basilika in Gran (Gran Mass). SATB soli, chorus and orch. 1855; rev. 1857-8
10. Missa choralis, organo concinente. Mixed chorus and orch. 1865.
11. Hungarian Coronation Mass. SATB soli, chorus and orch. 1867 (Graduale 1869).
12. Requiem. TTBB soli, male chorus, organ and brass. 1867-8; "Libera me" 1871.
13. Psalm 13. "Lord, How long?" T solo, chorus and orch. 1855; rev. 1859.
14. Psalm 18. "Coeli enarrant." Male chorus and orch. 1860.
15. Psalm 23. "The Lord is my shepherd." T or S solo, harp, organ ; also with male chorus ad lib. 1859; rev. 1862.
15a. Psalm 116. "Laudate Dominum." Male chorus and pf. 1869.
16. Psalm 129. "De Profundis." Bar. solo, male chorus and organ; or B (or A) and pf. 1881.
17. Psalm 137. "By the waters of Babylon." S solo, women's chorus, solo violin harp and organ. 1859; rev. 1862.
18. Five choruses with French texts. (in the 1840s.) 1. Qui m'a donne 2. L'Eternel est son nom (Racine) 3. Chantons, chantons l'auteur 4. (A major, without text) 5. Combien j'ai douce souvenance (Chateau-briand)
19. Hymme de l'enfant a son reveil (Lamartine). Women's chorus, harm. and harp. 1845; rev. 1862 and 1874.
20. Ave Maria I. 1st version, chorus and organ. 1846. 2nd version, "Quattuor vocum concinente organo," 1852.
21. Pater noster II. 1. Male chorus unacc. 1846. 2. Pater noster quattuor vocum adaequales concinente organo secundum rituale SS. ecclesiae Romanae, 1848.
22. Pater noster IV. Mixed chorus and organ. 1850.
23. Domine salvum fac regem. T solo, male chours and organ. 1853.
24. Te Deum II. Hymnus SS Ambrosii et Augustini. Male chorus and organ. 1853(?)
25. Die Seligkeiten. Bar. solo, mixed chorus and organ. 1855-9
26. Festgesang zur Eroffnung der zehnten allgemeinen deutschen Lehrerversammlung (Hoffman von Fallersleben). Male chorus and organ. 1858.
27. Te Deum I. Mixed chorus, organ, brass and timps.1859(?)
28. An den heiligen Franziskus von Paula. Gebet. Male voices, organ, brass and timps. 1860 (at latest); rev. 1874.
29. Pater noster I. Mixed chorus and organ. 1860 (at latest).
30. Responses and Antiphons. Mixed chorus and organ. 1860.
31. Christus ist geboren I (Landmesser). Prob. 1863. 1. Mixed chorus and organ 2. Male chorus and organ
32. Christus ist geboren II (Landmesser).1863(?) 1. Mixed chorus and organ 2. Male chorus unacc(organ postlude) 3. SSA unacc
33. Slavimo Slavno Slaveni! Male chorus and organ. 1863.
34. Ave maris stella. 1. Mixed chorus and organ. 1865 or 6.
35. Crux! Hymne des marins, avec Antienne approbative de N.T.S.P. Pie IX. 1865. 1. Male voices unacc.
36. Dall' alma Roma. 2-part chorus and organ. After 1867.
37. Mihi autem adhaerere. Male chorus and organ. 1868.
38. Ave Maria II. Mixed chorus and organ. 1869.
39. Inno a Maria Vergine. Mixed chorus, harp, organ or pf. 4 hands, and harm. 1869.
40. O Salutaris hostia I. Female chorus and organ. Prob. 1869.
41. Pater noster III. 1. Mixed chorus and organ. 1869. 2. Male chorus and organ or harm. or pf. 1869.
42. Tantum ergo. 1. Male chorus and organ. 2. Female chorus and organ. 1869.
43. O salutairs hostia II. Mixed chorus and organ. 1870
44. Ave verum corpus. Mixed chorus and organ (ad lib.) 1871.
45. Libera me. Male chorus and organ. 1871.
46. Anima Christi sanctifica me. Male chorus and organ. (2 versions) 1874.
47. Sankt Christoph. Legend for Bar. solo, women's chorus, pf. harm. and harp. 1874.
48. Der Herr bewahret die Seelen seiner Heiligen. Festgesang zur Enthullung des Carl-August Denkmals in Weimar am 3 September 1875. Mixed chorus, organ and wind. 1875.
49. Weihnachtslied (O heilige Nacht). T solo, womens' chorus and organ or harm. After 1876.
50. Chorales: 1. Es segne uns Gott. 2. Gott sei uns gnadig. 3. Nun ruhen alle Walder. 4. O Haupt voll Blut. 5. O Lamm Gottes. 6. Was Gott tut. 7. Wer nur den Lieben Gott.
51. Gott sei uns gnadig und barmherzig. Kirchensegen. Mixed chorus and organ. 1878.
52. Septem Sacramenta. Responsoria cum organo vel harmonio concinente. 1. Baptisma. 2. Confirmatio. 3. Eucharistia. 4. Poenitentia. 5. Extrema Unctio. 6. Ordo. 7. Matrimonium. M-S, Bar. Soli, mixed chorus and organ.1878.
53. Via Crucis. Les 14 Stations de la Croix pour Choeur et Soli, avec accompagnement d'orgue (ou pf). 1878-9.
54. O Roma nobilis. Mixed chorus and organ or solo voice and organ. 1879.
55. Ossa arida. Male chous and organ, 4 hands, or pf, 4 hands. 1879.
56. Rosario. 1. Mysteria gaudiosa. 2. Mysteria dolorosa. 3. Mysteria gloriosa. 4. Pater noster. 1-3, mixed chorus and organ; 4, Bar. solo, male chorus and organ. 1879.
57. In domum Domini ibimus. Mixed chorus, organ, brass and drums. (In L.'s last years).
58. O sacrum convivium. A solo, women's chorus and organ. (In L.'s last years).
59. Pro Papa. 1. Dominus conservet eum. Mixed chorus and organ. 1880. 2. Tu es Petrus. Male chorus and organ.
60. Zur Trauung. Geistliche Vermahlungsmusik. (Ave Maria III). Women's chorus and organ. 1883.
61. Nun danket alle Gott. Mixed or male chorus, organ, brass and drums. 1883.
62. Mariengarten. (Quasi cedrus). SSAT and organ. 1884.
63. Qui seminant in lacrimis. Mixed chorus and organ. 1884.
64. Pax vobiscum! Male chorus and organ. 1885.
65. Qui Mariam absolvisti. Bar. solo, mixed chorus and organ. 1885.
66. Salve Regina. Mixed chorus unacc. 1885.
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67. Festkantatezur Enthullung des Beethoven-Denkmals in Bonn (O.L.B.Wolff). SSTTBB soli, chorus and orch. 1845.
68. Zur Sakularfeier Beethovens (2nd Beethoven Cantata) (Adolf Stern and Gregorovius). SATB soli, chorus and orch. 1869-70.
69. Chore zu Herders Enrfesseltem Prometheus. SATTBB soli, chorus and orch. 1850; rev. 1855.
70. An die Kunstler (Schiller). TTBB soli, male chorus and orch. 1st and 2nd versions, 1853; final version 1856.
71. Gaudeamus igitur. Humoreske. Soli (ad lib.), mixed or male chorus and orch. 1869.
72. Four-part male choruses (for the benefit of the Mozart-Stiftung). 1. Rheinweinlied (Herwegh). 2. Students' song from Goethe's Faust. 3 and 4. Reiterlied (Herwegh), 1st and 2nd versions. 1 and 3 with pf., 2 and 4 unacc. 1841.
73. Es war einmal ein Konig (Goethe's Faust). B solo, male chorus and pf.
74. Das deutsche Vaterland (Arndt). 4-part male chorus. 2 versions. 1841.
75. Uber allen Gipfeln ist Ruh (Goethe). Male chorus. 1st version, unacc., 1842; 2nd version, with 2 horns, 1849. Cf. 306.
76. Das dustre Meer umrauscht mich. Male chorus and pf. 1842.
77. Die lustige Legion. (Buchheim). Male chorus and pf. 1846.
78. Trinkspruch. Male chorus and pf. 1843.
79. Titan (Schober). Bar. solo, male chorus and pf. 1842, 1845, 1847.
80. Les Quatre Elemens. (Autran). 1. La Terre. 2. Les Aquilons. 3. Les Flot. 4. Les Astres. Male chorus and pf. 1944-5. Cf. 97.
81. Le Forgeron (Lamennais). Male chorus and pf. 1845.
82. Arbeiterchor. B solo, male quartet and chorus, pf. 1848. Cf. 100.
83. Ungaria-Kantate (Schober). Bar. solo, mixed chorus and pf. 1848.
84. Licht, mehr Licht (Schober (?)). Male chorus and brass. 1849.
85. Chorus of Angels from Goethe's Faust. Mixed chorus and harp or pf. 1849.
86. Festchor zur Enthullung des Herder-Denkmals in Weimar (Sholl). male chorus and pf. 1850.
87. Weimars Volkslied (Cornelius). 1857, from 357. 1. Male chorus and wind. 2. Male chorus and pf. 3. 4- part chorus. 4. Male chorus and organ. 5. Populaire. 6. 3-part chorus.
88. Morgenlied (Fallersleben). Women's chorus unacc. 1859.
89. Mit klingendem Spiel. Children's voice. 1859.
90. Fur mannergesang. 1. vereinslied (Fallersleben). 1856. 2. Standchen (Ruckert), with T solo. 1857. 3. Wir sind nicht Mumien (Fallersleben). 1842.
91. Das Lied der Begeisterung. A lelkesedes dala. 1871.
92. Carl August weilt mit uns. Festgesang zur Enthullung des Carl-August-Denkmals in Weimar am 3 September 1875. Male chorus, brass, drums and organ. 1875. Cf. 48.
93.Ungarisches Konigslied. Magyar Kiraly-dal. (Abranyi). 1883. 1. Male chorus unacc. 2. Mixed chorus unacc. 3. Male chorus and pf. 4. Mixed chorus and pf. 5. Male or mixed chorus and orch.
94. Gruss. Male chorus.1885 (?).
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Symphonic poems 95. Ce qu'on entend sur la montagne (Bergsymphonie) after Victor Hugo. 3 Verstions: 1. 1848-9. 2. 1850. 3. 1854.
96. Tasso, Lamento e Trionfo, after Byron. 4 versions; 1849-54.
97. Les preludes, after Lamartine. 1848, as intro. to 80; rev. before 1854. Cf. 142. 304.
98. Orpheus. 1853-4.
99. Prometheus.1850, as overture to 69; rev. 1855. Cf. 121.
100. Mazeppa, after Victor Hugo. 1851; rev. 1854. From 139, 4.
101. Festkange. 1853.
102. Heroide Funebre. 1848-50, from 690; rev. 1854.
103. Hungaria. 1854. from 231.
104. Hamlet. 1858.
105. Hunnenschlacht, after Kaulbach. 1856-7.
106. Die Ideale, after Schiller. 1857; cf. 70.
107. From the Cradle to the Grave. 1881-2. Cf. 198.
Other Orchestral works 108. A Faust Symphony in three character pictures, after Goethe. 1854; final chorus added 1857. 1. Faust. 2. Gretchen. 3. Mephistopheles, and final chorus.
109. A Symphony to Dante's Divina Commedia. 1. Inferno. 2. Pugatorio and Magnificat. 1855-6, with two endings.
110. Two Episodes from Lenau's Faust. 1. Der nachtliche Zug. 2. Der Tanz in der Dorfschenke (1st Mephisto Waltz). 1860. Cf. 514.
111. Second Mephisto Waltz. 1880-1.
112. Trois Odes Funebres. 1. Les Morts (Lamennais). Oration for full orchestra with male chorus. 1860. 2. La notte, after michelangelo. 1863-4. from 161, 2. 3. Le Triomphe funebre du Tasse, Epilogue to Tasso, 96. 1866.
113. Salve Polonia. Interlude from the oratorio St. Stanislas, 688. 1863.
114. Kunstlerfestzug zur Schillerfeier. 1857, on themes from 70 and 106.
115. Festmarsch zur Goethejubilaumsfeier. 1849; rev. 1857. Cf. 227.
116. Festmarsch nach Motiven von E.H.z.S.-C.-G. (Ernst Herzog zu Sachsen-Coburg-Gotha-from his opera Diana von Solange). 1859.
117. Rakoczy March, symphonic arrangement.1865; cf. 244, 15 (sketched earlier).
118. Ungarischer Marsch zur Kronungsfeier in Ofen-Pest am 8 Juni 1867. 1870.
119. Ungarischer Sturmmarsch. 1875, from 232.
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120. Grande Fantaisie Symphonique on themes from Berlioz' Lelio. 1834.
121. Malediction, with string orchestra. Sketched 1830(?), rev. 1840(?). Cf. 99, 108.
122. Fantasia on themes from Beethoven's Ruins of Athens. 1848-52.
123. Fantasia on Hungarian Folk Themes. 1852, from 244, 14.
124. Concerto No. 1 in Eb. Sketched 1830. completed 1849-56.
125. Concerto No. 2 in A.1839; rev. 1849-61.
126. Totentanz. Paraphrase on the Dies Irae. Planned 1838; (i) 1849; (ii) rev. 1853 and 1859.
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128. Grand Duo Concertant sur la Romance de M. Lafont, "Le Marin." 1835; rev. 1840. Violin and piano.
129. Epithalam zu E. Remenyis Vermahlungsfeirer, violin and piano. 1872.
130. Elegie. 1. Cello, pf., harp and harm. 2. Cello and pf. 3. Violin and pf. 1874. Cf. 196.
131.Second Elegie. Piano and violin or cello. 1877. Cf. 197.
132. Romance Oubliee. Piano and viola or violin or cello. 1880; Cf. 169, 527.
133. Die Wiege (The Cradle). 4 violins. 1881. Cf. 107, 198.
134. La Lugubre Gondola. Piano and violin or cello. 1882. Cf. 200, 2.
135. Am Grabe Richard Wagners. String quartet and harp. 1883; Cf. 6, 1 and 202.
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Studies 136. Etude en 48 exercices dans tous les tons majeurs et mineurs. 1826; only 12 were written. Cf. 137-9.
137. 24 Grandes Etudes. C. 1838; from 136. Only 12 were written.
138. Mazeppa. C. 1840(?) from 137, 4.
139. Etudes d'execution transcendante. 1851; from 137-8. Cf. 100. 1. Preludio. 2. a minor. 3. Paysage. 4. Mazeppa. 5. Feux follets. 6. Vision. 7. Eroica. 8. Wilde Jagd. 9. Ricordanza. 10. f minor. 11. Harmonies du soir. 12. Chasse-neige.
140. Etudes d'execution transcendante d'apres Paganini. 1838; Cf. 141. 1. g minor. 2. Eb major. 3. La Campanella. 4. E major. 5. La Chasse. 6. Theme and Variations.
141. Grandes Etudes de Paganini.1851, from 140.
142. Morceau de Salon, Etude de Perfectionnement. 1840; Cf. 97, 143.
143. Ab Irato. Etude de Perfectionnement de la Methode des methodes. 1852, from 142.
144. 3 Etudes de Concert 1. Ab major. 2. f minor. 3. Db major. 1848. (Sometimes known as Il lamento, La leggierezza, Un sospiro).
145. 2 Concert Studies. 1. Waldesrauschen. 2. Gnomenreigen. 1862-3.
146. Technical Studies (12 books). 1868-80.
Various Original Works 147. Variation on a waltz by Diabelli. 1822.
148. Huit Variations.1824.
149. Sept Variations brillantes sur un theme de G.Rossini. 1824.
150. Impromptu brillant sur des themes de Rossini et Spontini. 1824.
151. Allegro di bravura. 1824.
152. Rondo di bravura. 1824.
153. Scherzo in g minor.1827.
154. Harmonies poetiques et religieuses. 1834. Cf. 173, 4.
155. Apparitions 1. Senza lentezza quasi Allegretto. 2. Vivamente. 3. Molte agitato ed appassionato. 1834; 3 on a waltz of Schubert; Cf. 427, 4.
156. Album d'un Voyageur. 1835-6; Cf. 157, 160. (Lyon). I. Impressions et poesies. 1. Lyon. 2a. Le Lac de Wallenstadt. 2b. Au bord d'une source. 3. Les cloches de G.... 4. Vallee d'Obermann. 5. La Chapelle de Guillaume Tell. 6. Psaume. II. Fleurs melodiques des Alpes. 7a. Allegro. 7b. Lento. 7c. Allegro pastorale. 8a. Andante con sentimento. 8b. Andante molto espressivo. 8c. Allegro moderato. 9a. Allegretto. 9b. Allegretto. III. Paraphrases. 10. Improvisata sur le Ranz de Vaches de Ferd. Huber. 11. Un soir dans les montagnes. 12. Rondeau sur le Ranz de Chevres de Ferd. Huber.
157. Fantaisie romantique sur deux melodies suisses. 1835; Cf. 156, 7b.
158. Tre Sonetti del Petrarca, 1st version. 1839(?), from 270; Cf. 161, 4-6.
159. Venezia e Napoli, 1st version. 1. Lento. 2. Allegro. 3. Andante placido. 4. Tarantelles napolitaines. 1840; Cf. 96, 162.
160. Annees de Pelerinage. Premiere Annee; Suisse. 7, 1836; the rest, 1848-54, from 156. 1. Chapelle de Guillaume Tell. 2. Au Lac de Wallenstadt. 3. Pastorale. 4. Au bord d'une source. 5. Orage. 6. Vallee d'Obermann.
161. Annees de Pelerinage. Deuxieme Annee; Italie. 1. Sposalizio. 2. Il Penseroso. 3. Canzonetta del Salvator Rosa. 4. Sonetto 47 del Petrarca. 5. Sonetto 104 del Petrarca. 6. Sonetto 123 del Petrarca.
162. Venezia e Napoli. Supplement aux Annees de Pelerinage 2de volume. 1859, from 159, 3 and 4. 1. Gondoliera. 2. Canzone. 3. Tarantella.
163. Annees de Pelerinage. Troisieme Annee. 1. Angelus! Priere aux anges gardiens. 2. Aux cypres de la Villa d'Este, Threnodie I. 3. Aux cypres de la Villa d'Este, Threnodie II. 4. Les jeux d'eaux a la Villa d'Este.
164. Albumblatt in E.1841; from 210.
165. Feuilles d'album in Ab. 1841.
166. Albumblatt in waltz form. 1842. cf. 212.
167. Feuille d'album in a minor. 1843; from 274.
168. Elegie sur des motifs du Prince Louis Ferdinand de Prusse. 1842.
169. Romance. 1848; Cf. 132, 527. From 301a.
170. Ballade No. 1 in Db.1845-8.
171. Ballade No. 2 in b minor. 1853.
171a. Madrigal. (earlier version of 172, 5).
172. Consolations. 1849-50.
173. Harmonies poetiques et religieuses. 1. Invocation. 2. Ave Maria. 3. Benediction de Dieu dans la solitude. 4. Pensee des morts. 5. Pater noster. 6. Hymne de l'enfant a son reveil. 7. Funerailles, Oct. 1849.
174. Berceuse; 1st version, 1854; 2nd version 1862.
175. Legendes. 1. St. Francois d'Assise. La Predication aux oiseaux. 2. St. Francois de Paule marchant sur les flots. 1863, at latest; cf. 4, 28, 354.
176. Grosses Konzertsolo. 1849. Cf. 258, 365.
177. Scherzo and March. 1851.
178. Sonata in b minor. 1852-3.
179. Weinen, Klagen, Sorgen, Zagen; Prelude after J.S.Bach. 1859; Cf. 180.
180. Variations on the theme of Bach-Basso continuo of the first movement of his cantata Weinen, Klagen, Sorgen, Zagen, and of the Crucifixus of the b minor mass. 1862.
181. Sarabande and Chaconne from Handel's opera Almira. 1879.
182. Ave Maria for the piano school of Lebert and Stark (The Bells of Rome). 1862.
183. Alleluja et Ave Maria (d'Arcadelt). 1862; 1 in themes from 4.
184. Urbi et orbi. Benediction papale. 1864.
185. Vexilla regis prodeunt. 1864.
186. Weihnachtsbaum. Arbre de Noel. 1874-6. 1. Psallite. 2. O heilige Nacht! 3. Die Hirten an der Krippe. 4. Adeste fideles. 5. Schrzoso. 6. Carillon. 7. Schlummerlied. 8. Altes provencalisches Weihnachtslied.
187. Sancta Dorothea. 1877.
188. In festo transfigurationis Domini nostri Jesu Christi. 1880.
189. Piano piece in Ab. 1866.
190. La Marquise de Blocqueville. Portrait en musique. 1868.
191. Impromptu.1872. (Also new version of Nocturne).
192. Five little piano pieces (for Baroness von Meyendorff).1,2, 1865; 3, 1873; 4, 1876; 5 (Sospiri), 1879. cf. 308.
193. Klavierstuck in F# major. (in L.'s late years).
194. Mosonyis Grabgeleit. Mosonui gyazmenete. 1870.
195. Dem Andenken Petofis. Petofi Szellemenek. 1877; Cf. 349.
196. (First) Elegy. 1874, from 130.
197. Second Elegy. 1877; Cf. 131.
197a. Toccata.
198. Wiegenlied (Chant du herceau.) 1881; Cf. 107, 133.
199. Nuages gris. 1881.
200. La lugubre gondola. (2 versions.) 1882; Cf. 134.
201. R.W.-Venezia. 1883.
202. Am Grabe Richard Wagners. 1883; Cf. 135. 267.
203. Schlaflos, Frage und Antwort (Nocturne after a poem by Toni Raab). 1883.
204. Recueillement. (In L.'s last years).
205. Historische ungarische Bildness. Magyar arckepek. 1885. 1. Stephen Szechenyi. 2. Josef Eotvos. 3. Michael Vorosmarty. 4. Ladislaus Teleky. 5. Franz Deak. 6. Alexander Petofi.
206. Trauervorspiel und Trauermarsch. 1885.
207. En Reve. Nocturne.
208. Unstern. Sinistre. Disastro. (In L's last years).
Works in Dance Forms 209. Grande Valse di Bravura (1st version). 1836; Cf. 214, 1.
210. Valse melancolique (1st version). 1839. Cf. 214, 2.
211. Landler in Ab. 1843.
212. Petite Valse favorite. 1842. Cf. 166, 213.
213. Valse Impromptu. 1850, from 212.
214. Trois Caprices-Valses. 1850; 1 from 209, 2 from 210, 3 from 401.
214a. Carousel de Mme. Pelet-Narbonne. 1879.
215. 4 Valses oubliees. 1881-5.
216. Mephisto Waltz No. 3. 1883.
216a. Bagatelle sans Tonalite. 1885.
217. Mephisto Polka. 1883.
218. Galop in a minor. 1841(?).
219. Grand Galop chromatique. 1838.
220. Galop de Bal. 1840.
221. Mazurka brillante. 1850.
222. Mazurka in Ab.
223. 2 Polonaises. 1. c minor. 2. E major. 1851.
224. Csardas macabre. 1881-2.
225. 2 Csardas. 1. Allegro. 2. Csardas obstine. 1884.
226. Festvorspiel-Prelude. 1856, as Preludio pomposo.
227. Festmarsch zur Saecularfeier von Goethe's Geburtstag (1st version). 1849; Cf. 115.
228. Huldigungsmarsch. 1853.
229. Vom Fels zum Meer. Deutscher Siegesmarsch. 1853-6.
230. Bulow-Marsch. 1883.
231. Heroischer Marsch im ungarischen Styl. 1840. Cf. 103.
232. Seconde Marche hongroise. Ungarischer Sturmmarsch (1st version). 1844; Cf. 119.
233. Ungarischer Geschwindmarsch. Magyar Gyors indulo. 1870.
Works on National Themes Austian 233a. Tyrolean Melody. 1856(?) Cf. 733.
Czech 234. Hussitenlied of the 15th century. 1840.
English 235. God Save the Queen. 1841.
French 236. Faribolo Pastour and Chanson du Bearn. 1844.
237. La Marseillaise. Cf. 690. Pub. 1872.
238. La cloche sonne. 1850.
239. Vive Henri IV. 1870-80.
German 240. Gaudeamus igiru. Concert paraphrase. 1843; separate work from 71.
Hungarian 241. Two movements of Hungarian character (Zum Andenken). 1828.
241. A. Magyar Dallok. Ungarische Nationalmelodien. 1839-47. Book I. 1. Lento. 2. Andantino. 3. Sehr langsam. 4. Animato (Cf. 243, 2, and 244, 6). 5. Tempo giusto (Cf. 243, 1, and 244, 6). 6. Lento (Cf. 244, 5). Book II. 7. Andante cantabile (Cf. 244, 4). Book III. 8. Lento. 9. Lento. Book IV. 10. Adagio sostenuto a capriccio (Cf. 244, 15). 11. Andante sostenuto (Cf. 243, 3, and 244, 3 and 6). B. Magyar Rhapsodiak. Rhapsodies Hongroises. Book V. 12. Mesto (heroide elegiaque) (Cf. 244, 5). Book VI. 13. Tempo di Marcia (Cf. 244, 15). Book VII. 14. Lento a capriccio (Cf. 244, 11). Book VIII. 15. Lento, Tempo e stilo zingarese (Cf. 244, 7). Book IX. 16. E major (Cf. 244, 10). Book X. 17. Andante sostenuto ( Cf. 244, 13). C. etc. 18. Adagio (Cf 244,12). 19. Lento patetico (Cf. 244, 8). 20. Allegro vivace (Cf. 244, 6 and 12). 21. Tempo di marcia funebre (Cf. 244, 14).
243. Ungarische Nationalmelodien. 1 from 242, 5; 2 from 242, 4; 3 from 242, 11. 1840. Cf. 244, 6.
244. Hungarian Rhapsodies. 1. Lento, quasi Recitativo. 1846. 2. Lento a capriccio. 1847. 3. Andante. From 242, 11. 4. Quasi Adagio, altieramente. From 242, 7. 5. Heroide-Elegiaque. Lento con duolo. From 242, 12; Cf. 242, 6. 6. Tempo giusto. From 242, 4, 5, 11, 20;Cf. 243. 7. Lento. From 242, 15. 8. Lento a capriccio. From 242, 19. 9. Pester Karneval. Moderato (2 versions). 1848. 10. Preludio. From 242, 16. 11. Lento a capriccio. From 242, 14. 12. Mesto. From 242, 18 and 20. 13. Andante sostenuto. From 242, 17. 14. Lento quasi marcia funebre. From 242, 21. Cf. 123. 15. Rakoczy March. 1st version from 242, 10 and 13. 2nd version from 117. Simplified version 1852, form 1st version. 16. Allegro. 1882. 17. Lento. 1883(?). 18. Lento. 1885. 19. Lento. 1885, after the Csardas nobles of Abranyi.
245. 5 Hungarian folk songs, transcribed for pf. 1873.
246. Puszta-Wehmut. A Puszta Keserve. (In L.'s last years).
Italian 247. La romanesca. 1839.
248. Canzone Napolitana. 1842.
Polish 249. Glanes de Woronince. 1. Ballade d'Ukraine (Dumka). 2. Melodies polonaises. 3. Complainte (Dumka). 1847-8; 2, Cf. 480. 1.
Russian 250. Deux Melodies russes. Arabesques. 1. Le Rossignol, air russe d"Alabieff. 2. Chanson bohemienne. 1842.
251. Abschied. Russisches Volkslied. 1885.
Spanish 252. Rondeau fantastique sur un theme espagnol, El Contrabandista. 1836.
253. Grosse Konzertfantasie uber Spanische Weisen. 1845.
254. Rhapsodie espagnole. Folies d'Espagne et Jota aragonesa. 1863; one theme in common with 253.
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VIII. 피아노 연탄곡 (목록으로) | ||
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255. Festpolonaise. 1876, for the marriage of Princess Marie of Saxony.
256. Variation on the Chopsticks theme. 1880, for the collectiion of Borodin, Cui, Liadov and Rimsky-Korsakov.
256a. Notturno (F# major). From 158.
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IX. 두 대의 피아노를 위한 곡 (목록으로) | ||
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257. Grosses Konzertstuck uber Mendelssohns Lieder ohne Worte. 1834.
258. Concerto pathetique. 1856 (at latest) from 176.
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X. 오르간곡 (목록으로) | ||
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259. Fantasy and Fugue on the chorale Ad nos, ad salutarem undam. 1850; theme from Meyerbeer's Le Prophete. Cf. 414.
260. Prelude and Fugue on the name BACH. 1st version, 1855; 2nd version, 1870. Cf. 529.
261. Pio IX. Der Papsthymnus. 1863(?). Later became 3, 8.
261a. Andante religioso.
262. Ora pro nobis. Litanei. 1864.
263. Resignazione. 1877.
264. Missa pro organo lectarum celebrationi missarum adjumento inserviens. 1879, from 8 and 20.
265. Gebet. 1879.
266. Requiem fur die Orgel. 1883, from 12.
267. Am Grabe Richard Wagners. 1883. Cf. 135, 202.
268. Zwei Vortragsstucke. 1. Introitus. 2. Trauerode (Les Morts, 112, 1). 1, 1884; 2, 1860.
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XI. 가곡(목록으로) | ||
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269. Angiolin dal biondo crin (Bocella). (i) 1839; (ii) 1856.
270. Tre Sonetti di Petrarca. 1. Pace non trovo (No. 104). 2. Benedetto sia 'l giorno (No. 47). 3. I vidi in terra angelici costumi (No. 123). 1st version 1838-9; cf. 158. 2nd version 1861; 1 and 2 in reverse order; cf. 161, 4-6.
271. Il m'aimait tant (Delphine Gay). 1840.
272. Im Rhein (Heine). (i) 1840; (ii) 1856.
273. Die Loreley (Heine). (i) 1841; (ii) 1856.
274. Die Zelle in Nonnenwerth (Lichnowsky). (i) 1841; (ii) 1860. Cf. 167.
275. Mignons Lied (Goethe). (i) 1842; (ii) 1856; (iii) 1860.
276. Comment, disaient-ils (Hugo). (i) 1842; (ii) 1859.
277. Bist du (Metschersky). 1843; rev. 1877-8.
278. Es war ein Konig in Thule (Goethe). (i) 1842; (ii) 186.
279. Der du von dem Himmel bist (Goethe). (i) 1842; (ii) 1856; (iii) 1860; (iv) in L.'s last years.
280. Freudvoll und leidvoll (Goethe). 1st setting. (i) 1844; (ii) 1860. 2nd setting. 1848.
281. Die Vatergruft (Uhland). 1844.
282. O quand je dors (Hugo). (i) 1842; (ii) 1859.
283. Enfant, si j'etais roi (Hugo). (i) 1844; (ii) 1859.
284. S'il est un charmant gazon (Hugo). (i) 1844; (ii) 1859.
285. La tombe et la rose (Hugo). 1844.
286. Gastibelza, Bolero (Hugo). 1844.
287. Du bist wie eine Blume (Heine). 1842-3.
288. Was Liebe sei (Charlotte von Hagn). 1st setting 1843. 2nd setting 1855. 3rd setting 1878.
289. Vergiftet sind meine Lieder (Heine). 1842.
290. Morgens steh' ich auf und frage (Heine). (i) 1843; (ii) 1855.
291. Die tote Nachtigall (Kaufmann). (i) 1843; (ii) 1878.
292. Songs from Schiller's Wilhelm Tell. 1. Der Fischerknabe. 2. Der Hirt. 3. Der Alpenjager. (i) 1845; (ii) 1859.
293. Jeanne d'Arc au bucher (Dumas). (i) 1845; (ii) 1874.
294. Es rauschen die Winde (Rellstab). (i) 1845; (ii) 1860.
295. Wo weilt er? (Rellstab). 1845.
296. Ich mochte hingehn (Herwegh). 1845.
297. Wer nie sein Brot mit Tranen ass (Goethe). 1st setting 1845. 2nd setting 1860.
298. O lieb, so lang du lieben kannst (Freiligrath). 1845, Cf. 541.
299. Isten veled (Horvath). 1846-7.
300. Le juif errant (Beranger). 1847.
301. Kling leise, mein Lied (Nordmann). (i) 1848; (ii) 1860.
301a. Oh pourquoi donc (Mme. Pavloff). 1848; Cf. 169.
302. Die Macht der Musik (Duchess Helen of Orleans). 1848-9.
303. Weimars Toten, Dithyrambe (Schober). 1848.
304. Le vieux vagabond (Beranger). 1848; foreshadows 97 and 109.
305. Schwebe, schwebe, blaues Auge (Dingelstedt). (i) 1845; (ii) 1860.
306. Uber allen Gipfeln ist Ruh (Goethe). (i) 1848, cf. 75; (ii) 1859.
307. Hohe Liebe (Unland). 1849; Cf. 541.
308. Gestorben war ich (Uhland). 1849; Cf. 192, 1, 541.
309. Ein Fichtenbaum steht einsam (Heine). 1st setting 1855. 2nd setting 1860.
310. Nimm einen Strahl der Sonne (Ihr Auge) (Rellstab). 1855.
311. Anfangs wollt' ich fast verzagen (Heine). 1856; rev. 1880.
312. Wie singt der Lerche schon (Fallersleben). 1856.
313. Weimars Volkslied (Cornelius). 1857; Cf. 87.
314. Es muss ein Wunderbares sein (Redwitz). 1857.
315. Ich liebe dich (Ruckert). 1857.
316. Muttergottes-Strausslein zum Mai-Monate (Muller). 1. Das Veilchen. 2. Die Schlusselblumen. 1857.
317. Lasst mich ruhen (Fallersleben). 1858.
318. In Liebeslust (Fallersleben). 1858.
319. Ich scheide (Fallersleben). 1860.
320. Die drei Ziqeuner (Lenau). 1860.
321. Die stille Wasserose (Geibel). Prob. 1860.
322. Wieder mocht' ich dir begegnen (Cornelius). 1860.
323. Jugendgluck (Pohl). 1860.
324. Blume und Duft (Hebbel). 1860.
325. Die Fischerstochter (Coronini). 1871.
326. La Perla (Princess Therese von Hohenlohe). 1872.
327. J'ai perdu ma force et ma vie (Tristesse) (de Musset). 1872.
328. Ihr Glocken von Marling (Kuh). 1874.
329. Und sprich (Beigeleben). 1874; rev. 1878.
330. Sei still (Nordheim). 1877.
331. Gebet (Bodenstedt). 1878.
332. Einst (Bodenstedt). 1878.
333. An Edlitam (Bodenstedt). 1878.
334. Der Gluckliche (Wilbrandt). 1878.
335. Go not, happy day (Tennyson). 1879.
336. Verlassen (Michell). 1880.
337. Des Tages laute Stimmen schweigen (von Saar). 1880.
338. Und wir dachten der Toten (Freiligrath). 1884.
339. Ungarns Gott. A magyarok Istene (Petofi). 1881.
340. Ungarisches Koniglied. Magyar Kiraly-dal (Abranyi). Cf. 93. 1883.
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XII. 기타 성악곡(목록으로) | ||
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341. Ave Maria IV. Voice and organ (or harm. or pf.). 1881.
342. Le Crucifix (Hugo). Alto and pf. or harm. 1884, in 3 versions.
343. Sancta Caecilia. Alto and organ or harm. (In L.'s last years).
344. O Meer im Abendstrahl (Meissner). SA and pf. or harm. 1880.
345. Warburg-Lieder from Der Braut Willkomm auf Wartburg (Scheffel). 1872. 1. Introduction and mixed chorus. 2. Wolfram von Eschenbach. 3. Heinrich von Ofterdingen. 4. Walther von der Vogelweide. 5. Der tugendhafte Schreiber.
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346. Lenore (Burger) with pf. 1858.
347. Vor Hundert Jahren (Halm) with orch. 1859.
348. Der traurige Monch (Lenau) with pf. 1860.
349. Des toten Dichters Liebe. A holt kolto szerelme (Jokai) with pf. 1874; Cf. 195.
350. Der blinde Sanger (A. Tolstoy) with pf. 1875.
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XIV. 관현악 편곡(목록으로) | ||
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Bulow 351. Mazurk-Fantasie. Orch. 1865.
Cornelius 352. Second Overture to The Barber of Bagdad. Completed by L. from C.'s sketches, 1877.
Egressy and Erkel 353. Szozat and Hymnus. Arr. 1870-3.
Liszt 354. Two Legends, 175. Orch. 1863.
355. Vexilla regis prodeunt, 185. 1864.
356. Festvorspiel, 226. 1857.
357. Huldigungsmarsch zur Huldigungsfeier S.K.H. des Grossherzogs Carl Alexander von Sachsen-Weimar, 228. 1857.
358. Vom Fels zum Meer. Deutscher Siegesmarsch, 229.
359. Hungarian Rhapsodies, 244, arr. by the composer and Franz Doppler. 1.244, 14; 2. 244,12; 3. 244, 6; 4. 244, 2; 5. 244, 5; 6. 244, 9.
360. A la chapelle Sixtine, 461.
361. Der Papsthymnus, 261.
362. Benedictus from the Hungarian Coronation Mass, 11. for violin and orch. 1875.
Schubert 363. 4 Marches from Op. 40, 54 and 121. 1859-60. Cf. 425-6.
Zarembski 364. Danses galiciennes. 1881.
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XV. 피아노와 오케스트라를 위한 편곡(목록으로) | ||
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Liszt 365. Grand Solo de Concert, 176. 1850.
Schubert 366. Fatasia in C major, Op. 15 (Wanderer), symphomic arrangement. 1851.
Weber 367. Polonaise brillante, Op. 72. 1851.
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XVI. 오케스트라 반주를 단 가곡 편곡(목록으로) | ||
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Korbay 368. 2 Songs. 1883.
Liszt 369. Die Loreley, 273, 2. 1860.
370. Mignons Lied, 275, 3. 1860.
371. Die Vatergruft, 281. 1886.
372. Three Songs from Schiller's Wilhelm Tell, 292. 1855; later revised.
373. Jeanne d'Arc au bucher, 293, 2. 1858; rev. 1874.
374. Die drei Zigeuner, 320. 1860.
Schubert 375. 6 Songs 1. Die Junge Nonne. 2. Gretchen am Spinnrade. 3. Lied der Mignon. 4. Erlkonig. 5. Der Doppelganger. 6. Abschied. 1860.
376. Die Allmacht. T or S solo, male chorus and orch. 1871.
Geza Zichy 377. Der Zaubersee.
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XVII. 실내악 편곡(목록으로) | ||
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377a. La Notte, 112, 2. Violin and pf. 1864-6. Cf. 722.
378. Angelus, 163, 1. 1. Harmonium. 1877. 2 String quartet. 1880.
379. Pester Karneval, 244, 9. Pf., violin and cello.
380. O du mein holder Abendstern from Tannhauser, Cf. 444. Cello and pf. 1852.
381. Benedictus and Offertorium from the Hungarian Coronation Mass, 11. Violin and pf. 1869.
382. Die Zelle in Nonnenwerth, 274. Pf. and violin or cello.
383. Die drei Zigeuner, 320. Violin and pf. 1864.
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XVIII. 피아노 편곡 (목록으로) | ||
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Paraphrases, Operatic Transcriptions, etc. Alabieff, see 250 384. Mazurka pour piano composee par un amateur de St. Petersbourg, paraphrasee par F.L. 1842.
Auber 385. Grande Fantaisie sur la Tyrolienne de l'opera La Fiancee. 1829.
386. Tarantelle di bravura d'apres la Tarantelle de La Muette de Portici (Masaniello). 1846.
387. 2 pf. pieces on themes from La Muette de Portici (one on the Berceuse).
Beethoven 388. Capriccio alla turca sur des motifs de Beethove (Ruines d'Athenes). 1846; on same theme as 389.
389. Fantasia on Beethoven's Ruins of Athens. From 122.
Bellini 390. Reminiscences des Puritains. 1836.
391. I Puritani. Introduction et Polonaise. 1840; Polonaise from 390.
392. Hexameron, Morceau de Concert. Grandes Variations de Bravoure sur le Marche des Puritains. 1837; with Thalberg, Pixis, Herz, Czerny and Chopin.
393. Fantaisie sur des motifs favoris de l'opera La Sonnambula. 1839.
394. Reminiscences de Norma. 1841.
Berlioz 395. L'Idee fixe. Andante amoroso. 1833; on theme of Symphonie Fantastique. Rev. 1846(?) and 1865.
396. Benediction et Serment, deux motifs de Benvenuto Cellini. 1852.
Donizetti (Gaetano) 397. Reminiscences de Lucia de Lammermoor. 1835-6 (the sextet).
398. Marche et cavatine de Lucia de Lammermoor. 1835-6; with 397.
399. Nuits d'Ete a Pausilippe. 1. Barcajuolo. 2. L'Alito di Bice. 3. La Torre di Biasone. 1838.
400. Reminiscences de Lucrezia Borgia. 1. Trio du second acte. 2. Fantaise sur des motifs favoris de l'opera; Chanson a boire (Orgie)-Duo-Finale. 1840.
401. Valse a capriccio sur deux motifs de Lucia et Parisina. 1842. (1st version; cf. 214).
402. Marche funebre de Dom Sebastien. 1844.
Donizetti, Giuseppe 403. Grande Paraphrase de la marche de Donizetti composee pour Sa Majeste le sultan Abdul Medjid-Khan. 1847.
404. Halloh! Jagdchor und Steyrer from the opera Tony. 1849.
Erkel, Franz 405. Schwanengesang and March from Hunyadi Laszlo. 1847.
Glinka 406. Tscherkessenmarsch from Russlan and Ludmila. 1843.
Gounod 407. Valse de l'opera Faust. 1861.
408. Les Sabeennes. Berceuse de l'opera La Reine de Saba. 1865.
409. Les Adieux. Reverie sur un motif de l'opera Romeo et Juliette. 1868.
Halevy 409a. Reminiscences de La Juive. 1835.
Mendelssohn 410. Wedding March and Dance of the Fairies from the music to Shakespeare's A Midsummer Night's Dream. 1849-50.
Mercadante 411. Soirees italiennes. Six amusements. 1838. 1. La primavera. 2. Il galop. 3. Il pastore svizzero. 4. La serenata del marinaro. 5. Il Brindisi. 6. La zingarella spagnola.
Meyerbeer 412. Grande Fantaisie sur des themes de l'opera Les Huguenots. 1836.
413. Reminiscences de Robert le Diable. Valse infernale. 1841.
414. Illustrations du Prophete. 1849-50. 1. Priere, Hymne triomphale, Marche du sacre. 2. Les Patineurs, Scherzo. 3. Choeur pastoral, Appel aux armes. (4 is 259).
415. Illustrations de l'Africaine. 1. Pirere des matelots. 2. Marche indienne. 1865.
416. Le Moine. 1841; contains two other themes of Meyerbeer's.
Mosonyu, Michael 417. Fantaisie sur l'opera hongrois Szep Ilonka. 1867.
Mozart 418. Reminiscences de Don Juan. 1841.
Pacini 419. Divertissement sur la cavatine I tuoi frequenti palpiti (Niobe). 1835-6.
Paganini 420. Grande Fantaisie de bravoure sur la Clochette. 1831-2. Cf. 140, 3.
Raff 421. Andante Finale and March from the opera King Alfred. 1853.
Rossini 422. La Serenata e l'Orgia. Grande Fantaisie sur des motifs des Soirees musicales. 1835-6. Cf. 424, 10 and 11 (also 1).
423. La Pastorella dell' Alpi e Li marinari, 2me Fantaisie sur des motifs des Soirees musicales. Cf. 424, 6 and 12 (also 2). 1835-6.
424. Soirees musicales. 1837; cf. 422, 423. 1. La promessa. 2. La regata veneziana. 3. L'invito. 4. La gita in gondola. 5. Il rimprovero. 6. La pastorella dell' Alpi. 7. La partenza.
Schubert 425. Melodies hongroises (d'apres Schubert). 1. Andante. 2. Marcia. 3. Allegretto. 1838-9, from the Divertissement a l'hongroise, Op. 54. Cf. 363.
426. Schubert's Marches for the pianoforte. Nos. 1-3. 1846, from the 4-hand marches, Op. 40 and 121. Cf. 363.
427. Soirees de Vienne. 9 Valses caprices after Schubert. 1852. from the waltzes, Op. 9, 18, 33, 50, 67, 77. Cf. 155, 3. Cadenzas to 6 and 9, 1883.
Sorriano 428. Feuille morte. Elegie d'apres Sorriano. 1845.
Tchaikovsky 429. Polonaise from Eugene Onegin. 1880.
Vegh, Janos 430. Concert Waltz after the 4-hand waltz suite. (In L.'s last years).
Verdi 431. Salve Maria de Jerusalem (I Lombardi). 1848.
431a. Concert Paraphrase on Ernani. 1847 (different from 432).
432. Ernani. Paraphrase de conert. By 1849; rev. 1859.
433. Miserere du Trovatore. 1859.
434. Rigoletto. Paraphrase du concert. 1859.
435. Don Carlos. Transcription. Coro di festa e marcia funebre. 1867-8.
436. Aida. Danza sacra e duetto finale. 1871-9.
437. Agnus Dei de la messe de Requiem. 1877.
438. Reminiscences de Boccanegra. 1882.
Wagner 439. Phantasiestuck on themes from Rienzi. 1859.
440. Spinning chorus from The Flying Dutchman. 1860.
441. Ballad from The Flying Dutchman. Before 1873.
442. Overture to Tannhauser. 1848.
443. Pilgrims' chorus from Tannhauser. 1st version 1861. 2nd version 1862(?).
444. O du mein holder Abendstern. Recitative and Romance from Tannhauser, 1849. Cf. 380.
445. Two pieces from Lohengrin and Tannhauser. 1852. 1. Entry of the guests on the Wartburg. 2. Elsa's bridal procession to the minster.
446. From Lohengrin. 1854. 1. Festival and bridal song. 2. Elsa's dream and Lohengrin's rebuke.
447. Isola's Liebestod from Tristan and Isolda. 1867.
448. Am stillen Herd from Meistersinger. 1871.
449. Valhalla from The Ring of the Nibelung. 1878-80.
450. Solemn march to the Holy Grail from Parsifal. 1882.
Weber 451. Freischutz Fantasy. 1840-1.
452. Leyer and Schwert. 1846-7.
453. Einsam bin ich, nicht alleine, from Preciosa. 1848.
454. Schlummerlied von C.M. von Weber mit Arabesken. 1848.
455. Polonaise brillante. 1851, from 367.
Zichy, Count Geza 456. Valse d'Adele. Composee pour la main gauch seule. Transcription brillante a deux mains. 1877.
Unknown 458. Piano piece on Italian operatic melodies. (?)
459. Three short pieces on thems by other composers. (?)
460. Kavallerie-Geschwindmarsch. Pub. 1883.
Partitions de Piano, Transcriptions, etc. Allegri and Mozart 461. A la chapelle Sixtine. Miserer d'Allegri et Ave verum corpus de Mozart. 1862; Cf. 360.
Bach 462. Six organ preludes and fugues. 1842-50. 1. a minor 2. C mjaor (4-4). 3. c minor. 4. C major (9-8). 5. e minor. 6. b minor.
463. Organ Fantasy and Fugue in g minor. before 1872.
Beethoven 464. Symphonies de Beethoven. Partitions de Piano. 5-7, 1837; Marcia unebre of 3, 1843; rest, and revision of the others, 1863-4.
465. Grand Septuor, Op. 20. 1841.
466. Adelaide, Op. 46. 1839; later rev.
467. 6 geistliche Lieder (Gellert), Op. 48. 1840. 1. Gottes Macht und Versehung. 2. Bitten. 3. busslied. 4. Vom Tode. 5. Die Liebe des Nachtsten. 6. Die Ehre Gottes aus der Natur.
468. Beethoven's Lieder von Goethe (from Op. 75, 83, 84). Before 1849. 1. Mignon. 2. Mite einem gemalten Bande. 3. Freudvoll und leidvoll. 4. Es war einmal ein Konig. 5. Wonne der Wehmut. 6. Die Trommel geruhret.
469. An die ferne Geliebe. Song-cycle, Op. 98. 1849.
Berlioz 470. Episode de la vie d'un artiste. Grand Symphonie Fantastique. Partition de Piano. 1833; new transcription of Marche au Supplice. 1864-5. Cf. 395.
471. Ouverture des Francs-Juges. 1833.
472. Harold en Italie. Partition de piano (avec la partie d'alto). 1836.
473. Marche des Pelerins de la sinfonie Harold en Italied. Transcrite pour le piano. 1836.
474. Ouverture du Roi Lear. 1836.
475. Danse des Sylphes de la Damnation de Faust. 1860.
Bertin, Louise 476. Esmeralda. Opera en 4 actes. Accompagenement de piano. 1837.
477. Air chante par Massol (from Esmeralda) arrange pour le piano. 1837.
Bulhakov 478. Russischer Galopp. 1843.
von Bulow 479. Dante's Sonnet, Tanto gentile e tanto onesta. 1874.
Chopin 480. 6 Chants polonais, Op. 74. Between 1847 and 1860. Cf. 249, 2. 1. Madchens Wunsch. 2. Fruhling. 3. Das Ringlein. 4. Bacchanal. 5. Meine Freuden. 6. Heimkehr.
Conradi 481. Le celebre Zigeunerpolka. 1847.
Cui 482. Tarantella. 1885.
Dargomizhsky 483. Tarantelle, transcrite et amplifiee pour le piano a deux mains. 1879.
David, Ferdinand 484. Bunte Reihe, Op. 30. 1850.
Dessauer 485. Lieder. 1. Lockung. 2. Zwei Wege. 3. Spanisches Lied. 1847.
Draeseke 485a. Cantata, Der Schwur am Rutli, Pt. I. Pf. reduction. 1870.
Egressy and Erkel 486. Szozat und Ungarischer Hymnus. Not before 1870; Cf. 353.
Festetics, Count Lee 487. Spanisches Standchen. 1846.
Franz 488. Er ist gekommen in Sturm und Regen. 1848.
489. Lieder. (Pub. 1849.) I. Schilflieder, Op. 2 1. Auf geheimen Walderspfaden. 2. Druben geht die Sonne scheiden. 3. Trube wird's. 4. Sonnenuntergang. 5. Auf dem Teich. II. 3 Lieder, from Op. 3. and 8. 6. Der Schalk. 7. Der Bote. 8. Meeresstille. III. 4 Lieder, from Op. 3 and 8. 9. Treibt der Sommer. 10. Gewetternacht. 11. Das ist ein Brausen und Heulen. 12. Fruhling und Liebe.
Goldschmidt, Adalbert von 490. Liebesszene und Fortunas Kugel from Die Sieben Todssunden. 1880.
Gounod 491. Hymne a St. Cecile. 1866.
Herbeck 492. Tanzmomente. 1869.
Hummel 493. Septet. Op. 74. 1848.
Lassen 494. Lose Himmel meine Seele. 1861.
495. Ich weil' in tiefer Einsamkeit. (Pub. 1872).
496. From the music to Hebbel's Nibelungen and Goethe's Faust. I. Nibelungen 1. Hagen und Krimhild. 2. Bechlarn. II. Faust 2. Osterhymne. 2. Hoffest. Marsch und Polonaise. 1878-9.
497. Symphonisches Zwischenspiel (Intermezzo) zu Calderons Schauspiel, Uber allen Zauber Liebe. Not before 1882.
Lessmann 498. 3 songs from J.Wolff's Tannhauser. 1882. 1. Der Lenz ist gekommen. 2. Trinklied. 3. Du schaust mich an.
Liszt 499. Cantico del Sol di San Francesco, 4. 1881.
500. Excelsior! Preludio zu den Glocken des Strassburger Munsters, 6. 1875.
501. Frome the Hungarian Coronation Mass, 11. 1. Benedictus. 2. Offertorium. 1867.
502. Weihnachtslied II, 32. 1864.
503. Slavimo Slavno Slaveni!, 33. 1863.
504. Ave Maria II, 38. 1st version 1870. 2nd version 1872.
505. Zum Haus der Herrn ziehen wir, 671 (prelude to 57).
506. Ave maris stella, 34, 2. 1868.
507. 70 bars on themes from the first Beethoven Cantata, 67. 1847.
508. Pastorale. Schnitterchor aus dem Entfesselten Prometheus, 69. 1861.
509. Gaudeamnus igitur. Humoreske, 71 (not 240). 1870.
510. Marche heroique, 82. 1848.
511. Geharnischte Lieder, 90, 4-6. Before 1861.
512. Von der Wiege bis zum Grabe, 107. 1881.
513. Gretchen. 2nd movement of the Faust Symphony, 108. 1874.
514. Der Tanz in der Dorfschenkc (1st Mephisto Waltz), 110, 2. 1859-60.
515. Second Mephisto Waltz, 111. 1881.
516. Les Morts, 112, 1. 1860. Cf. 699.
517. Le Triomphe funebre du Tasse, 112, 3. 1866.
518. Salve Polonia, 113. After 1863.
519. Deux Polonaises de l'oratorio St. Stanislaus, 688. In the 1870s.
520. Kunstlerfestzug zur Schillerfeier, 114. 1857-60.
521. Festmarsch zur Goethejubilaumsfeier, 115 (2nd version). 1857.
522. Festmarsch nach Motiven von E.H.zu S.-C.-G., 116. 1859.
523. Ungarischer Marsch zur Kronungsfeier in Ofen-Pest, 118. 1870.
524. Ungarischer Sturmmarsch, 119 (2nd version). 1875. Cf. 232.
525. Totentanz, 126 (ii). 1860-5.
526. Epithalam zu Eduard Remenyis Vermahlungsfeier, 129. 1872.
527. Romance oubliee, 132. 1880. Cf. 169, 301a.
528. Festpolonaise, 255. 1876.
529. Fantasie und Fuge uber das Thema BACH, 260. 2nd version. 1871.
530. L'Hymne du Pape. Inno del Papa. Der Papsthymnus, 261. 1864.
531. Buch der Lieder fur Piano allein. 1843. 1. Loreley, 273, 1. 2. Am Rhein, 272, 1. 3. Mignon, 275, 1. 4. Es war ein Konig in Thule, 278, 1. 5. Der du von dem Himmel bist, 279, 1. 6. Angiolin dal biondo crin, 269, 1.
532. Loreley, 2nd version, 273. 1861.
533. Il m'aimait tant, 271. 1843.
534. Die Zelle in Nonnenwerth. Elegie, 274. 1843.
535. Comment, disaient-ils, 276, 1. 1847(?).
536. O quand je dors, 282, 1. 1847(?).
537. Enfant, si j'etais roi, 283, 1. 1847(?).
538. S'il est un charmant gazon, 284 ,1. 1847(?).
539. La tombe et la rose, 285. 1847(?).
540. Gastibelza, 286. 1847.
541. Liebestraumer, 3 Notturnos, 307, 308 and 298. 1850.
542. Weimars Volkslied, 87. 1857.
543. Ungarns Gott, 339. 1881.
544. Ungarisches Konigslied, 340. 1883.
545. Ave Maria IV, 341.1881.
546. Der blinde Sanger, 350. 1878.
Mendelssohn 547. Lieder, Op. 19, 34 and 47. 1840. 1. Auf Flugeln des Gesanges. 2. Sonntagslied. 3. Reiselied. 4. Neue Liebe. 5. Fruhlingslied. 6. Winterlied. 7. Suleika.
548. Wasserfahrt and Der Jager Abschied from op. 50. 1848.
Meyerbeer 549. Festmarsch zu Schillers 100-Jahriger Geburtsfeier. 1860.
Mozart 550. Confutatis and Lacrymosa from Requiem. (Pub. 1865).
Pezzini 551. Una stella amica. Mazurja(?).
Rossini 552. Ouverture de l'opera Guillaume Tell. 1838.
553. Deux Transcriptions 1. Air du Stabat Mater (Cujus animam). 2. La Charite. 1847.
Rubinstein 554. 2 Songs. 1. O! wenn es doch immer so bliebe. 2. Der Asra. 1880(?).
Saint-Saens 555. Danse macabre, Op. 40. 1876.
Schubert 556. Die Rose (Heiden roslein). 1835; rev. 1838.
557. Lob der Tranen. 1838.
558. 12 Lieder. 1838. 1. Sei mir gegrusst. 2. Auf dem Wasser zu singen. 3. Du bist die Ruh. 4. Erlkonig. 5. Meeresstille. 6. Die junge Nonne. 7. Fruhlingsglaube. 8. Gretchen am Spinnarde.
559. Der Gondelfahrer, Op. 28. 1838.
560. Schwanengesang. 1838-9. 1. Die Stadt. 2. Das Fischermadchen. 3. Aufenthalt. 4. Am Meer. 5. Abshied. 6. In der Ferne. 7. Standchen (Leise flehen). 8. Ihr Bild. 9. Fruhlingssehnsucht.
561. Winterreise. 1839. 1. Gute Nacht. 2. Die Nebensonnen. 3. Mut. 4. Die Post. 5. Erstarrung. 6. Wasserflut. 7. Der Lindenbaum.
562. Geistliche Lieder. 1840. 1. Litaney. 2. Himmelsfunken. 3. Die Gestirne. 4. Hymne.
563. Sechs Melodien. 1846. 1. Lebewohl. 2. Madchens Klage. 3. Das Sterbeglocklien. 4. Trockene Blumen. 5. Ungeduld (1st version). 6. Die Forelle (1st version). Cf. 565, 565.
564. Die Forelle (2nd version). 1846.
565. Mullerlieder. 1846. 1. Das Wandern. 2. Der Muller und der Bach. 3. Der Jager. 4. Die bose Farbe. 5. Wohin? 6. Ungeduld (2nd version).
Schumann 566. Liebeslied (Widmung). 1848.
567. An den Sonnenschein and Rotes Roslein. (Pub. 1861).
568. Fruhlingsnacht (Uberm Garten durch die Lufte). (Pub. 1872).
569. Lieder von Robert and Clara Schumann. (Pub. 1872). A. Robert, from Op. 79 and 98a. 1. Weihnachtslied. 2. Die wandelnde Glocke. 3. Des Sennen Abschied. 5. Eir ist's. 6. Nur wer die Sehnsucht kennt. 7. An die Turen will ich schleichen. B. Clara 1. Warum willst du andere fragen? 2. Ich habe in deinem Auge. 3. Geheimes Flustern.
570. Provencalisches Minnelied. 1881.
Spohr 571. Die Rose. Romanze. (Pub. 1877).
Szabady 572. Revive Szegedin. Marche hongroise transecrite d'apres l'orchestration de J.Massenet. 1879.
Szechenyi, Count Imre 573. Einleitung und Ungarischer Marsch. Bevezetes es magyar indulo. (Pub. 1878).
Weber 574. Overture Oberon. 1843.
575. Overture Der Freischutz. 1846.
576. Jebelouverture. 1846.
Wielhorsky, Count Michael 577. Autrefois. Romance. 1843.
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XIX. 피아노 연탄 편곡 (목록으로) | ||
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Field 577a. Nocturnes Nos. 1-9, 14, 18 and Nocturne Pastorale in E.
Liszt 578. 4 Pieces from St. Elisabeth, 2. 1866. 1. Prelude. 2. March of the Crusaders. 3. Storm. 4. Interlude.
579. 2 Orchestral pieces from Christus, 3. 1866-73. 1. Hirtenspiel. 2. Die heiligen drei Konige.
580. Excelsior! Cf. 6. 1875.
581. Benedictus and offertorium from the Hungarian Coronation mass, 11. 1869.
582. O Lamm Gottes, unschuldig, 50, 5. 1878-9.
583. Via Crucis, 53. 1878.
584. Festkantate zur Enthullung des Beethoven-Denkmals in Bonn, 67. 1845.
585. Pastorale. Schnitterchor aus dem Entfesselten Prometheus, 69. 1861.
586. Gaudeamus igitur. Humoreske, 71. 1870-2.
587. Marche heroique, 82. 1857.
588. Weimars Volkslied, 87. 1857.
589. Ce qu'on entend sur la montagne, 95. 1874.
590. Tasso, 96. 1858.
591. Les Preludes, 97. 1858.
592. Orpheus, 98. 1858.
593. Prometheus, 99. 1858.
594. Mazeppa, 100. 1874.
595. Festklange, 101. 1854-61.
596. Hungaria, 103. 1874(?).
597. Hamlet, 104. 1874.
598. From the Cradle to the Grave, 107. 1881.
599. Two episodes from Lenau's Faust, 110. 1861-2.
600. Second Mephisto Waltz, 111. 1881.
601. Les Morts, 112, 1. 1860.
602. La Notte, 112, 2. 1866.
603. Le Triomphe Funebre du Tasse, 112, 3. 1866 and 1869.
604. Salve Polonia, 113. 1863.
605. Kunstlerfestzug zur Schillerfeier, 114. 1859.
606. Festmarsch zur Goethejubilaumsfeier, 115. 1858.
607. Festmarsch nach Motiven von E.H.zu S.-C.-G., 116. 1859.
608. Rakoczy March, 117. 1870.
609. Ungarischer Marsch zur Kronungsfeier in Ofen-Pest, 118. 1870.
610. Ungarischer Sturmmarsch, 119. 1875.
611. Epithalam, 129. 1872(?).
612. Elegie, 130. 1874.
613. Weihnachtsbaum, 186. 1876-82.
614. Dem Andenken Petofis, 195. 1877.
615. Grande Valse di Bravura, 209. 1836.
616. Grand Galop Chromatique, 219. 1838.
617. Csardas macabre, 224. 1882.
618. Csardas obstine, 225, 2. 1884(?).
619. Bulow-Marsch, 230. 1883.
620. Hussitenlied, 234. 1840.
621. Hungarian Rhapsodies (from the orchestral version, 359). 1874. 1. 244,14; 2. 244,12; 3. 244, 6; 4. 244, 2; 5. 244, 5; 6. 244, 9.
622. Rhapsody No. 16, 244, 16. 1882.
623. Rhapsody No. 18, 244, 18. 1885.
624. Fantasy and Fugue on Ad Nos, 259.
625. Der Papsthymnus, 261. 1865.
626. Ungarisches Konigslied, 340. 1884.
627. Sonnambula Fantasy, 393. 1852.
628. Benediction et Serment de Benvenuto Cellini, 396. 1853(?).
629. Tscherkessenmarsch, 406. 1843.
630. Reminiscences de Robert le Diable, 413. 1841-3.
631. Andante Finale and March from King Alfred, 431. 1853(?).
632. Vier Marsche von Franz Schubert, 425, 2; 426. After 1860, from 363.
633. A la Chapelle Sixtine, 461. 1865.
634. Grand Septuor de Beethoven, 465.
Mozart 634a. Adagio from The Magic Flute.
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XX. 두 대의 피아노를 위한 편곡(목록으로) | ||
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Liszt 635. Ce qu'on entend sur la montagne, 95. 1854-7.
636. Tasso, 96. 1854-6.
637. Les Preludes, 97. 1854-6.
638. Orpheus, 98. 1854-6.
639. Prometheus, 99. 1855-6.
640. Mazeppa, 100. 1855.
641. Festkange, 101. 1853-6.
642. Heroide Funebre, 102. 1854-6.
643. Hungaria, 103. 1854-61.
644. Hamlet, 104. 1858-61.
645. Hunnenschlacht, 105. 1857.
646. Die Ideale, 106. 1857-8.
647. A Faust Symphony, 108. 1856; rev. 1860.
648. A Symphony to Dante's Divina Commedia, 109. 1856-9.
649. Fantasy on themes from Beethoven's Ruins of Athens, 122. After 1852.
650. Piano Concerto No. 1, 124. 1853.
651. Piano Concerto No. 2, 125. 1859.
652. Totentanz, 126(ii). Between 1859-65.
653. Wanderer Fantasia, 366. After 1851.
654. Hexameron, 392. After 1837.
655. Reminiscences de Norma, 394. After 1841.
656. Reminiscences de Don Juan, 418. After 1841.
Beethoven 657. 9th Symphony, cf. 464. 1851, at latest.
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XXI. 오르간 편곡(목록으로) | ||
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Allegri and Mozart 658. Evocation a la Chapelle Sixtine, Cf. 461. 1862.
Arcadelt 659. Ave Maria, Cf. 183, 2. 1862.
Bach 660. Einleitung und Fugue aus der Motette 'Ich hatte viel Bekummernis' und Andante 'Aus tiefer Not.' 1860.
661. Adagio from the 4th violin sonata.
Chopin 662. Preludes, Op. 28, Nos. 4 and 9.
Lassus 663. Regina coeli laetare. 1865.
Liszt 664. Te es Petrus, 3, 8. 1867; Cf. 261.
665. San Francesco. Preludio per il Cantico del Sol di San Francesco, 4. 1880.
666. Excelsior! Preludio zu den Glocken des Strassburger Munsters, 6. After 1874.
667. Offertorium from the Hungarian Coronation Mass, 11. After 1867.
668. Slavimo Slavno Slaveni!, 33. 1863.
669. Zwei Kirchenhymnen. 1. Salve Regina. 2. Ave maris stella, 34. After 1868.
670. Rosario, 56, 1-3. 1879.
671. Zum Haus des Herren ziehen wir, Prelude to 57. 1884.
672. Weimars Volkslied, 87. 1865.
673. Weinen, Klagen Variations, 180. 1863.
674. Ungarns Gott, 339. 1881.
Nicolai 675. Kirchliche Festouverture uber den Choral 'Ein feste Burg ist unser Gott.' 1852.
Wagner 676. Chor der jungeren Pilger aus Tannhauser, Cf. 443. 1st version 1860; 2nd version 1862.
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XXII. 오르간과 다른 악기들을 위한 편곡(목록으로) | ||
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677. Hosannah for organ and trombone. 1862, from 4.
678. Offertorium and Benedictus from the Hungarian Coronation Mass, 11, for violin and organ. Prob. 1871.
679. Aria 'Cujus animam,' from Rossini's Stabat Mater, for organ and trombone, Cf. 553, 682. In the 1860s.
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XXIII. 성악 편곡(목록으로) | ||
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680. Ave maris stella, 34. Voice and pf. or harm. 1868.
681. Ave Maria II, 38. Voice and organ or harm. 1869.
682. Cujus animam from Rossini's Stabat Mater. T and organ, Cf. 553, 679.
683. Serbisches Lied (Ein Madchen sitzt am Meeresstrand), in Musik gesetzt von F.W.C. Furst von Hohenzollern-Hechingen, mit Pianoforte-Begleitung von F.L.
684. Barcarole venitienne de Pantaleoni, avec accompagnement de pianoforte par F.L. (Pub. 1842.)
685. Es hat geflammt die ganze Nacht (Grand Duchess Pavlovna), with piano accomp. by L.
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XXIV. 음송 편곡(목록으로) | ||
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Draeseke 686. Helges Treue (Strachwitz). 1860; arr. from the song.
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XXV. 미완성곡(목록으로) | ||
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687. Sardanapale. Opera in three acts. Text after Byron by Rotondi(?). 1846-51.
688. Die Legende vom heiligen Stanislaus. Oratorio. Text after Lucien Siemienski by Princess Sayn-Wittgenstein(?), Cornelius and K.E.Edler.
689. Singe, wem Gesang gegeben. Male chorus. 1847.
690. Revolutionary Symphony. Orchestra. 1830; rev, 1848. Cf. 102.
691. De Profundis. Psaume instrumental. Piano and orch. 1834. Cf. 126(i), 173, 4.
692. Violin Concerto. 1860, for Remenyi.
693. Two Hungarian piano pieces. 1. bb minor. 2. d minor. 1840.
694. Fantasia on English themes. 1840.
695. Piano piece in F major. 1843(?)
696. Mephisto Waltz No. 4. 1885.
697. Fantasia on themes from Figaro. 1843. (Completed by Busoni 1912).
698. La Mandragore. Ballade de l'opera Jean de Nivelle de L.Delibes. After 1880.
699. La Notte, 112, 2. Piano. 1864-6.
700. Carnaval de Venis (Paganini) for piano.
701. Den Felsengipfel stieg ich einst hinan. Voice and pf.
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XXVI. 신빙성이 부족하거나 분실된 곡들(목록으로) | ||
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1. Sacred Choral Works 702. Tantum ergo. 1822. Lost.
703. Psalm 2 for T solo, mixed chorus and orchestra, 1851. (Prob. part of 690).
704. Requiem on the death of the Emperor Maximilian of Mexico. (?)
705. The Creation. (?)
706. Benedictus, for mixed chorus and organ. Pub. 1939, New York. Doubtful.
707. Excelsior, 6, 1, for M-S or Bar. solo, male chorus and pf. ? not arr. by L.
2. Secular Choral Works 708. Rinaldo (Goethe) for T solo, male chorus and pf. ? not by L.
708a. A patakhoz (Garai). 1846. Lost. (?)
3. For Orchestra 709. Boze cos Polske. Also for pf., 113.
710. Funeral March. (?)
711. Csardas macabre, 224. (?)
712. Romance oubliee, 132, for viola and orch. Not arr. by L.
4. For Piano and Orchestra 713. Two concertos. 1825. Lost.
714. Concerto in the Hungarian style. (?)
715. Concerto in the italian style. (?)
716. Grande Fantaisie Symphonique in A minor. (?)
5. Other Instrumental Works 717. Trio. 1825. Lost.
718. Quintet. 1825. Lost.
719. The Seasons, for string quartet. (?)
720. Allegro moderato in E major for violin and piano. (?)
721. Violin prelude. (?)
722. La Notte, 112, 2, for violin and piano. Now 377a.
723. Tristia, from Vallee d'Obermann, 160, 6, for piano, violin and cello. (?)
6. For Piano Solo 724. Rondo; Fantasia. 1824. Lost.
725. 3 Sonatas. 1825. Lost.
726. Etude in C major. (?)
727. Prelude omnitonique. (?)
728. Sospiri (Companion piece to 192). See 192.
729. Ecce panis angelorum. (?)
730. In Memoriam. (?)
731. Valse elegiaque. (?)
732. 4me Valse oubliee. See 215.
733. Landler in G major. See 233a.
734. Landler in D major. (?)
735. Air cosaque. (?)
736. Kerepesi csardas. ? not by L.
737. Trois morceaux en style de danse ancien hongrois. Pub. 1850; not by L.
738. Spanish Folk-Tunes. (?)
739. Overture, Coriolan (Beethoven). Prob. lost.
740. Overture, Egmont (Beethoven). (?)
741. Overture, Le carnaval Romain (Berlioz). (?)
742. Deuttino (Donizetti). (?)
743. Soldiers' chorus from Gounod's Faust. Prob. lost.
744. Paraphrase on the fourth act of Kullak's Dom Sebastian. (?)
745. Funeral March. (?)
746. Andante maestoso. (?)
747. Poco Adagio from the Gran Mass. (?)
748. Overture, The Magic Flute (Mozart). (?)
749. Radovsky. Preussischer Armeemarsch No. 120. Pf. score.
750. Introduction et Variations sur une Marche du Siege de Corinth (Rossini), 1830. (?)
751. Nonetto e Mose (Rossini), Fantaisie. (?)
752. Gelb rollt (Rubinstein). (?)
753. Alfonso und Estrella (Schubert), Act 1. Pf. score. 1850-1. Prob. lost.
754. 2a Mazurka di P.A.Tirindelli, variata da F.L. Prob. not by L.
7. For Piano, Four Hands 755. Sonata. 1825. Lost.
756. Mosonyis Grabgeleit, 194. (?)
8. For Two Pianos 757. Le triomphe funebre du Tasse, 112, 3. (?)
9. For Organ 758. Symphonic poem, The Organ, after Herder. (?)
759. Consolation No. 4 in D flat, 172. ? not arr. by L.
760. Cantico del Sol, 4. Cf. 665.
761. Chopin's Funeral March for organ, cello and piano. (?)
10. Songs with Piano 762. Air de Chateaubriand. (?)
763. Strophes de Herlossohn. (?)
764. Kranze pour chant. (?)
765. Glockchen (Muller). ? companion piece to 316.
765a. L'aube nait (Hugo). 1842. Lost.
766. Der Papsthymnus, 3, 8, for S or T and pf. ? not arr. by L.
11. Other Vocal Works 767. Excelsior, 6, 1, for voice and organ. ? not arr. by L.
12. Recitations with pf. 768. Der ewige Jude (Schubert). (?)
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XXVII. 계획했으나 완성하지 못한 곡들(목록으로) | ||
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Operas 1842 Le Corsaire.
1845 Stage version of La Divina Commedia, text by Autran.
1846 Two Italian operas.
1846-54 Richard en Palestine (Scott).
1848 Spartacus.
1856-8 Hungarian opera, Janos or Janko.
1858-9 Jeanne d'Arc.
Chorus 1845 Les Laboureurs, Les Matelots, Les Soldats (Lamennais), companion pieces to 81.
1849 Oratorio after Byron's Heaven and Earth; text by Wagner.
1856 Two Masses.
1860-1 Liturgie catholique, Liturgie romaine.
1862 Manfred.
1869 St. Etienne, roi d'Hongrie, or Fire and Water.
1874 Longfellow's Golden Legend as a recitation (cf. 6). Theodor Korner's Fiedler der hl. Cacilia. Sketches for Psalms 14 and 15, a plainsong Magnificat, Les Djinns, and a Miserere.
Orchestra 1853 Music to The Tempest.
1861 The History of the World in Sound and Picture (after a series of pictures by Kaulbach): The Tower of Babel, Nimrod, Jerusalem, The Glory of Greece.
1865 Continuation to Hungaria, 103.
1871 Two works of Chopin for pf. and orch., incl. Fantasy Op.49.
1885 Ungarische Bildnisse, 205, for orch.
Pianoforte 1850 Schubert's C major Symphony.
1860 Polonaise martiale.
1863 Transcription of Beethoven's Quartets.
1877 New ed. of Mendelssohn's Songs Without Words.
1880 Bach's Chaconne.
1883 Piano score of Rousseau's Devin du Village.
1886 Fantasia on Mackenzie's The Troubadour. Sketch for Somogyi Csardas.
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XXVIII. 리스트가 편집한 다른 작곡가들의 작품(목록으로) | ||
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Bach Kompositionen fur Orgel. Revidiert und mit Beitragen versehen von F.L. (includes 660 and 661).
Chromatic Fantasy.
Three Preludes and Fugues in C sharp minor. (In "Anthologie Classiuque," Schlesinger, Berlin).
Beethoven Three Piano concertos (Op. 37, 58, 73) edited and arranged for 2 pianos, with cadenzas, 1879.
Works for piano, 2 and 4 hands, ed. 1857.
Duos for piano with violin or cello, horn, flute or viola.
Trios for piano with violin (or clarinet) and cello.
Mass in C. and D.
Piano quartets, ed. 1861.
Trios for string and wind instruments.
Menuet, revu par F.Liszt.
Chopin Etudes, pub. 1877.
Clementi Preludes et Exercices, corriges et marques au metronome par le jeune Liszt, suivis de douze de ses Etudes. Cf. 136. Pub. 1825.
Field 18 Nocturnes, rediges et accompagnets d'une preface, 1859.
Gottschalg Repertorium fur Orgel, Harmonium oder Pedal-Flugel. Bearbeitet unter Revision und mit Beitragen von F.L. Cf. 260, 660-5, 667, 678.
Handel Fugue in e minor.
Hummel Septet, Op. 74, for piano, flute, oboe, horn, viola, cello and bass. Also as quintet for piano, violin, viola, cello and bass.
Madchenlieder Unter Mitwirkung von Hoffmann von Fallersleben und Franz Liszt herausgegeben von A. Braunlich und W. Gottschalg. Pub. 1851.
Schubert Selected sonatas and solo piano pieces. (2 and 4 hands) Ed. 1868-80.
Scarlatti Cat's Fugue.
Viole Gartenlaube. 100 etudes for pf.
Weber Selected sonatas and solo piano pieces. Ed. 1868 1870.
Paraphrase on the Invitation to the Dance, 1843.
6 pages of variants to the Konzertstuck.
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XXIX. 문필작업(목록으로) | ||
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Gesammelte Schriften. Ed. Lina Ramann. Pub. 1880-3. Vol. I. F. Chopin (1852)
Vol. II-1. Essays from the Revue et Gazette Musicale On the Position of artists (1835). On future Church music (1834). On popular editions of important works (1836). On Meyerbeer's Les Hunuenots (1837).
Vol. II-2. Essys of a Bachelor of Music (1835-40) 1-3. To George Sand. 4. To Adolphe Pictet. 5. To Louis de Ronchand. 6. By Lake Como (to Louis de Ronchand). 7. La Scala (to M.Schlesinger). 8. To Heinrich Heine.
Vol. III-1 Gluck's Orpheus (1854). Beethoven's Fidelio (1854). Weber's Euryanthe (1854). On Beethoven's music to Egmont (1854).
Vol. III-2. Richard Wagner Tannhauser and the Song Contest on the Wartburg (1849). Lohengrin and its first performance at Weimar (1850). The Flying Dutchman (1854). The Rhinegold (1855).
Vol. IV. Berlioz and his Harold Symphony (1855). Robert Schumann (1855). Clara Schumann (1855). Robert Franz (1855). Sobolewski's Vinvela (1855).
Vol. V. On the Goethe Foundation (1850). Weimar's September Festival in honour of the centenary of Karl August's birth (1857).
Vol. VI. The Gypsies and their Music in Hungary (1859).
Vol. VII. (not published) was to contain two more letters of 1837-8 and 1841, the Illustrations to Benvenuto Cellini (1838), and L's forewords to his musical works.
Published separately: De la fondation Goethe a Weimar, 1851. Lohengrin et Tannhauser de R. Wagner, 1851. F. Chopin, 1852. Des Bohemiens et de leur musique en Hongrie, 1859. Uber John Field's Nocturne, 1859. R. Schumann's Musikalische Haus- und Lebensregeln. French translation by F.L. 1860. Robert Franz, 1872.
Liszt also took part, together with Marschner, Reissigner and Spohr, in Eduard Bernsdorf's Neues Universal-Lexicon der Tonkunst (1856-65). |
